Friday Faves: A few Favorite Children’s Books

Happy Friday, all!

The slowdown of new normal life continues. After nearly 8 weeks, there’s only so much to keep a girl busy around the house, so my reading pace has picked up again. That means more book reviews in the queue. I know how much you all miss those! Meanwhile, with school winding down and more children at home this spring and summer, I thought this would be a good time to discuss children’s books.

If I had to narrow down my list of favorites to even 10, I’d never be able to do it. However, I do have some guidelines for choosing children’s books as well as a few books that I genuinely love as much now as my children did when they read them. I have reviewed several of the books in this post, so if you’re interested click on the link for more insight. I’m a big fan of bullet points and categorization, so here we go.

Books for Young Children

sal blueberries

  • Blueberries for Sal, by Robert McCloskey, 1948 Caldecott Award Winner. Our youngest child turned 12 this week, and one of my fondest memories of her toddler years was when I read this book to her and her sister, now 13. They requested it over and over. It wasn’t long before we had bought little metal buckets, and spent countless days dropping blueberries in them making the “kuplink!” sound and eating the blueberries.
  • Make Way for Ducklings, by Robert McCloskey, 1942 Caldecott Award Winner. The story of Mr. and Mrs. Mallard and their large family of ducklings never failed to delight our kids when they were young. Like Blueberries for Sal, the Caldecott medal is an indication of the beautiful artwork in the book.
  • Olivia, by Ian Falconer, 2001 Caldecott Award Winner. This quirky, confident little pig stole my girls’ heart from the first read.
  • Frog and Toad, by Arnold Loebel, 1970, Caldecott Award winner. I’ve written at length about the beauty of the Frog and Toad stories. You can find that post here.
  • Peter Rabbit, by Beatrix Potter, 1901. This classic tale has never gone out of style. Peter’s mischievous adventures are sure to keep kids entertained and delighted. It also makes for very good discussions about obedience and prudence.

Adventure for Older Children

captains courageous

  • Captains Courageous, by Rudyard Kipling, 1896. The link is to my original review of this wonderful coming of age story. Kipling weaves the tale of an entitled boy growing into a man and it’s a great book.
  • The Hiding Place, by Corrie ten Boom, 1971. The link is to my review. This book qualifies as an adventure, but not in the sense that we’re accustomed to thinking of adventure. This story of a family defying Nazi orders and extending Christian love during WWII is a magnificent read.
  • The Lion’s Paw, by Robb White, 1946. Again, the link is to my review. This is another coming of age story, but it takes place on the high seas off the coast of Florida. If you’ve read here for any length of time, you know I read a lot of books set in and around this state I call home.
  • Peter Pan, by J.M. Barrie, 1904. The link is to my review. I’d never read this book until one of my children was assigned to read it, but once I started, I could not put it down. This book is worth reading no matter how old you are really. It’s a fast-paced, rip-roaring good time from start to finish. I can’t recommend it highly enough.
  • The Wind in the Willows, by Kenneth Graeme, 1908, link to review. Even now, when I think about Mr. Toad’s motorcar adventure, daring prison escape, and inability to keep his mouth shut when he most needed to, I chuckle a bit. If you haven’t read Wind in the Willows with your kids, you should.

These are just a fraction of a fraction of my favorite children’s books. I could literally go on all night, but I won’t. An excellent resource for a comprehensive book list is the book Honey for a Child’s Heart, by Gladys Hunt. It is by far the best, suggested reading list I’ve found in one place.

What are some of your favorite children’s books?

The Princess and the Goblin

princess and the goblin

The Princess and the Goblin, kindle edition, by George MacDonald. Published in 1872. 134 print pages.

This book is available to read for free at Project Gutenberg.

I have never been a huge fan of fantasy novels. I’ve read two of the Narnia books, and one of Tolkien’s Lord of the Rings installments. Despite their renown, the genre has never held enough appeal with me to inspire a desire to read more. It’s more about my personality than the books themselves, however, and I recognize this. So when my daughters were assigned George Macdonald’s The Princess and the Goblin as part of their British literature study this semester, I saw a perfect opportunity for me to revisit the genre in a non-threatening way. By non-threatening I mean that this is a relatively quick read.

I’m very glad I decided to read it along with them, as it is quite a delightful story. So much so, that I am giving serious consideration to which of Macdonald’s books I want to read next. I’ll try to offer a brief overview without giving away too much of the plot.

Princess Irene lives in her father’s castle under the strict supervision of her nurse, Lootie. Lootie is to keep a watchful eye on Irene and take care to govern her under specific guidelines. Chief among them is that they are never to play outside after dark. What Lootie knows but Irene doesn’t, is that underground, below their kingdom, is another kingdom. It’s a kingdom of goblins who only come out at night, and they love to terrorize the “sun people” should they happen upon them.

Of course, Irene and Lootie inevitably find themselves outside on the wrong side of the sunset, but they are rescued and kept safe by Curdie, a brave young miner boy who is not afraid of the nocturnal, lurking goblins. He knows they’re weakness, and is adept at wielding the knowledge he possesses. During his brave nighttime exploration, he finds out the goblins are hatching a plot, that Princess Irene is at its center, and that he must warn the kingdom so that it can be thwarted. What Curdie doesn’t know is that Irene is under the protection of a powerful entity who can shield her from all of the nefarious happenings taking place in and around the kingdom.

This is a fast-paced story that simultaneously demands that the reader take the time to see the vivid imagery and overlapping activity taking place among the characters. It’s a children’s book, but a smartly written one. I found myself eagerly wondering what would happen from one chapter to the next. It’s a great read.

5 out of 5 stars.

I Need a New Butt

i need a new butt

I Need a New Butt by Dawn McMillan. Illustrated by Ross Kinnaird. Originally published in 2012. 32 Pages. Official summary, from Goodreads:

A young boy suddenly notices a big problem — his butt has a huge crack! So he sets off to find a new one. Will he choose an armor-plated butt? A rocket butt? A robot butt? Find out in this quirky tale of a tail, which features hilarious rhymes and delightful illustrations. Children and parents will love this book — no ifs, ands, or butts about it!

This is as much a rant about low-quality children’s literature as it is a book review.  Our local grocery store has a small section with various books available for sale. To their credit, there is as much inspirational reading as there are new and popular novels, children’s books, and reading about health. Recently, I noticed this book and thought how silly it looked, but my husband and I stood there and read it nonetheless.

He, being something of a kid at heart, found the first couple of pages funny in the way he might have when he was a kid. Boys and their bathroom humor! However, as it went on, it was increasingly clear to both of us that this was a terrible book, by almost any objective standard.

By way of disclosure, I can be something of a literary snob when it comes to children’s, fictional and humorous literature. My mind is open when reading nonfiction in a way that it simply is not when reading novels and children’s literature. Fiction should have some redeeming value and a children’s book should do more than making a child chuckle. It should certainly do that, but with some sophistication of thought, and “I need a new butt because mine has a crack!” doesn’t pass muster.

The interesting thing about this book, and its sequel, is how well it was received on Goodreads. It is possible that I overestimated the literary tastes of the Goodreads community!

To make myself clear, I’m not against silliness in children’s literature. I loved reading both Dr. Suess and even Sandra Boynton to my kids when they were very young. It could be that the whole idea of a book resting on the humor of one’s butt crack rubs me the wrong way 🙂 , but I look at this book and its runaway success as just another example of the coarsening of our culture. Here is the question of the day:

Is there a place for this kind of thing in children’s literature? Or am I overreacting here?

2 out of 5 stars

One Wintry Night

one winry night

One Wintry Night, by Ruth Bell Graham. Richard Jesse Watson, illustrator. Originally published in 1994. 72 Pages.

This review is late, using our traditional Western calendar, and I am regretful that I forgot to post the review in a more timely manner. However, since Orthodox Christmas has yet to arrive and many people celebrate the 12 Days of Christmas which extend until  January 5, this review is not as thoroughly untimely as it appears at first glance.

On Christmas Eve night, our family read this book together and it occurred to me that despite my intentions, I hadn’t offered reviewed this book as a wonderful addition to a family’s Christmas library. Despite the date, I’m offering it now.

One Wintry Night is the Christmas story, from Genesis to the Crucifixion, as told by a woman to a young boy who finds his way to her home after getting lost on his hike through the mountains near his home on a cold, wintry night. She begins the story by telling the boy that if the baby born to Mary was coming to “save His people”, then someone must be in trouble, and needs to be saved. From there, she goes back to Genesis and begins in the Garden of Eden.

Much like Adam and His Kin, which I reviewed some time ago, this book offers a loose dramatization of life in Eden, and in the life of the Biblical people whose narratives Graham touches on as she sets the stage for Christ’s advent into the world. Because it is a dramatization, she takes a few safe liberties. By safe I mean that while not found verbatim in scripture, the narratives she constructs are not in opposition to the tone and message of Scripture. However, her ascription of thoughts, feelings, and motivations of the Biblical protagonists are her own.

The illustrations in this book are striking, to say the least. Richard Jesse Watson’s beautiful work is a highlight of this book, taking it to a higher level of beauty and invoking wonder even for people like me who know the Biblical narrative well.

I highly recommend this book. If not for this Christmas, definitely for next. It is technically a children’s book but is enjoyable for people of all ages.

5 out of 5 stars.

 

Tales From Shakespeare

tales from shakespeare

Tales from Shakespeare, by Charles Lamb and Mary Lamb. Originally published in 1807. Hardcover, 304 pages.

This is a children’s book, or at least it’s supposed to be, but I absolutely love this compilation by the renowned brother and sister authors. These narrative renditions of Shakespeare’s works are quite well done. This is not a book of synopses of Shakespeare’s plays. They are the stories themselves transformed into literary narratives suitable for children. Here, as an exmple, is the introductory paragraph from the Lambs’ translation of The Two Gentlemen of Verona:

There lived in the city of Verona two young gentlemen, whose names were Valentine and Proteus, between whom a firm and uninterrupted friendship had long subsisted. They pursued their studies together, and their hours of leisure were always passed in each other’s company, except when Proteus visited a lady he was in love with; and these visits to his mistress, and this passion of Proteus for the fair Julia, were the only topics on which these two friends disagreed; for Valentine, not being himself a lover, was sometimes a little weary of hearing his friend for ever talking of his Julia, and then he would laugh at Proteus, and in pleasant terms ridicule the passion of love, and declare that no such idle fancies should ever enter his head, greatly preferring (as he said) the free and happy life he led, to the anxious hopes and fears of the lover Proteus.

Clearly, this is not Sparks’ Notes nor a Cliff Note’s paraphrase. These are well presented translations from gifted authors. Charles and Mary Lamb, whose stories are told in the introduction  of this volume, were a troubled and intriguing pair. Plagued by mental illnesses so severe that Mary Lamb was institutionalized for killing their mother, the two cared for each other throughout their lives.

Despite their troubles and hardships, they were highly regarded and well respected within the literary community. This volume of Shakespearean tales, along with other volumes, were commissioned to them to compile. Charles wrote the tragedies, while Mary wrote the comedies.

I received this book as a gift, and since I have only ever read four of Shakespeare’s many works, and three of those in high school, I took the opportunity to read the stories and familiarize myself with the characters and plots. I have neither the desire nor intention to read all of Shakespeare’s plays, but I do appreciate a rudimentary knowledge of his lesser produced works. Tales from Shakespeare allows me to do acquire it.

The entire first volume is available for free online through Project Gutenberg. You can read it here, but I really like this beautifully illustrated, special edition in hard cover.

5 out of 5 stars.

 

Johnny Tremain

johnny tremain

Johnny Tremain, by Esther Forbes, originally published in 1943. 320 pages.

This is a historical novel set on the cusp of the American Revolution and is a good fit for middle grade readers, ages 10-13.

Johnny Tremain is a young and talented but arrogant orphan being apprenticed by a highly regarded but aging Boston silversmith. Mr. Lapham, Johnny’s master, has grown so frail and infirm that Johnny basically runs the silversmith shop. The Lapham women, comprised of Mr. Lapham’s widowed daughter-in-law and her three daughters, feed Johnny’s vanity, treating him like a king because of his extraordinary talent and because he is set to inherit the silversmith business which they all depend on for their livelihood. Mr. Lapham makes every effort to counsel Johnny in the ways of piety and humility, often to no avail.

While violating his master’s rule regarding not working on Sundays, Johnny severely injures his hand trying to fill a rush order for a wealthy client. Just like that, his entire life is turned upside down. He is turned away from the Laphams and the silversmith shop. He is no longer the heir apparent. After many struggles, he finds a new path and a new purpose as the American colonists ramp up their rebellion against the British crown and the Revolution gets underway.

I enjoy well written historical fiction, but this was the first one I’d read in a long time directed toward children. Esther Forbes does a really great job illuminating the different arguments, factions, and issues surrounding the break of the American coloniies as well as the turmoil that it brought upon major port cities such as Boston.

One of the things I enjoyed about Johnny was his wit and his rugged ability to rise to the occasion and survive no matter how rough things got. His understanding of the grave turn life had taken in Boston is revealed in a dialogue he shares with a young woman who belongs to a family loyal to the crown:

“How old are you Johnny” she asked.
“Sixteen.”
“And what’s that-a boy or a man?”
He laughed. “A boy in time of peace and a man in time of war.”

I liked this book. Esther Forbes’ spin on the American Revolution with engaging characters and a story filled with action and intrigue offers a good opportunity to delve deeper into the American Revolution with young readers.

4 out of 5 stars.

 

 

 

Russell Hoban’s Frances Series

bedtime for frances

Some stories never get old or go out of style. The children’s picture books featuring Frances the Badger by Russell Hoban is a series which fits this bill. My children have aged out the books, or at least I thought so, but we’ll get to that a little later.

For the past several months, a lovely young homeschooling mother who is a friend of mine has been teaching our daughter to play the piano. Despite numerous attempts to offer her remuneration for her time and talent, the only thing she requests of me is that I read to her youngest children in exchange for the lessons. Since her native language is Korean, she’s determined that the time I spend reading to her kids is a valuable exchange.

Our home library is constantly evolving, so I’ve exhausted all the books we have which might sustain the interest of a three and five-year-old (even accounting for repeating books!). So yesterday I went to the library in search of books to read to the children this week. After reading through several newer children’s books and finding only two of nine worth checking out, I searched my mental Rolodex for specific authors that might suit my needs and narrow my search.

I originally thought of Arnold Lobel, but there was nothing on the shelf at that branch which sparked my interest. Then I remembered Frances, and all the stories about her that are funny, well-written, and teach lessons in ways that are profound and true without being preachy. My children thoroughly enjoyed the books when they were younger. I found copies of several books in the Frances series:

While preparing breakfast this morning, I noticed our 12-year-old sitting at the table with the entire stack of books in front of her, saying to herself, “Ooh! I love these books!” She cracked open Bedtime for Frances, and got my attention as she read a funny exchange from the book out loud.

After several unsuccessful attempts to fall asleep, and several trips to her mother and father with various excuses and fears about things that go bump in the night, Frances’s father puts his foot down, exasperated with her constant interruptions which are disrupting his sleep:

Frances said, “There is something moving the curtains. May I sleep with you?”

Father said, “Listen Frances, do you want to know why the curtains are moving?’

“Why?” said Frances.

“That is the wind’s job,” said Father. “Every night the wind has to go around and blow all the curtains.”

“How can the wind have a job?” said Frances.

Everybody had a job,” said Father. “I have to go to my office every morning at nine o’clock. That is my job. You have to go to sleep so you can be wide awake for school tomorrow. That is your job.”

Frances said, “I know, but…”

Father said, “I have not finished. If the wind does not blow the curtains, he will be out of a job. If I do not go to the office, I will be out of a job. And if you don’t go to sleep now, do you know what will happen to you?”

“I will be out of a job?” said Frances.

“No,” said Father.

“I will get a spanking?” said Frances.

“Right!” said Father.

“Good night!” said Frances, and she went back to her room.

We had a good laugh, and I realized that we never really age out of a good story. Russell Hoban, using Frances the little badger, provided children with great stories.

If you have young ones and you’ve never read these, you should check them out.

The Phantom Tollbooth

phantom tollbooth

The Phantom Tollbooth by Norton Juster, originally published in 1961. 272 pages.

We read The Phantom Tollbooth this semester as part of a middle school writing and literature class I taught. It’s an interesting, fantastical book and initially, I wasn’t sure how the kids would react to it. Throughout the school year, there have been differing verdicts offered by the kids on various books and rarely a consensus. However, this book drew unanimous approval from each of the students. The sample size is pretty small, but since I agreed with their opinion, it’s safe to say it’s a great middle grade book.

The opening chapter offers a description of Milo, the reluctant hero of our story:

There was once a boy named Milo who didn’t know what to do with himself — not just sometimes, but always.

When he was in school he longed to be out, and when he was out he longed to be in. On the way he thought about coming home, and coming home he thought about going. Wherever he was he wished he were somewhere else, and when he got there he wondered why he’d bothered. Nothing really interested him — least of all the things that should have.

The link above leads to the entire first chapter as reprinted on NPR. It’s an excellent chance to get a fuller picture of Milo, as his ennui sets the stage for his adventure into the world opened up to him through the mysterious gift of a phantom tollbooth which appeared in his room.

In this alternate reality, Milo encounters a wholly different world from anything he has ever known. One where things and people make little sense even though they fascinate him in ways he has never imagined.

The thing that my students enjoyed most about this book was the combination of literal and metaphorical elements. For instance, one of the first groups of people Milo meets on his journey is a strange set of creatures known as “The Lethargarians”. They are weird, slug-like, live in a place known as “The Doldrums”, and their lives are lived as their name suggests. After outlining for Milo their detailed schedule of daily events which consist of little more than various forms of dawdling and daydreaming, they explain to him why the itinerary is so strict:

“As you can see, that leaves almost no time for brooding, lagging, plodding, or procrastinating, and if we stopped to think or laugh, we’d never get nothing done.”

“You mean you’d never get anything done,” corrected Milo.

“We don’t want to get anything done,” snapped another angrily; “we want to get nothing done, and we can do that without your help.”

“You see,” continued another in a more conciliatory tone, “it’s really quite strenuous doing nothing all day, so once a week we take a holiday and go nowhere, which was just where we were going when you came along. Would you care to join us?”

“I might as well,” thought Milo; “that’s where I seem to be going anyway.”

“Tell me,” he yawned, for he felt ready for a nap now himself, “does everyone here do nothing?”

“Everyone but the terrible watchdog,” said two of them, shuddering in chorus. “He’s always sniffing around to see that nobody wastes time. A most unpleasant character.”

Tock, the literal watchdog is just one of the many intriguing and bizarre characters Milo encounters on his trip to Dictionopolis and on to a quest to be the hero of this strange world he has encountered as a result of his trip through the mysterious tollbooth.

Each character he encounters on his journey, from Tock to the Humbug to the Mathemagician and the Princesses Rhyme and Reason, adds a new layer of understanding and adventure to Milo’s journey. As a result, he ultimately learns that time is precious and his own world is full of fascinating things to learn and do.

4 out of 5 stars

No content advisory necessary.

Reading level: late elementary to early middle school. Younger students who are strong readers would have not trouble decoding, some of the allegorical notes may require explanation.

 

 

 

 

 

In Praise of Frog and Toad

FrogandToad1

Once again, Joshua Gibbs offers us plenty of encouragement and food for thought. In his recent article, Why We Need Frog and Toad More Than Ever, he extols the virtues of children’s books which offer opportunities for growth rather than banal celebrations for existing.

If I were not a Christian, Arnold Lobel’s Frog and Toad books would be my holy scripture. When I meet a sane adult, I assume his sanity comes largely from having heard Frog and Toad stories in his youth. Yesterday, I read my sophomore humanities students four stories from a Frog and Toad anthology. It would be impolite to assume you, noble reader, are not intimately familiar with all the Frog and Toad stories, but, in case too many years have elapsed between today and your last reading, I will briefly describe the four stories I read to my sophomores.

After offering synopses of the Frog and Toad stories entitled, “Cookies”, “The Lost Button”, “Tomorrow”, and “A Swim”, each as funny as they are profound, Mr. Gibbs points out the clear yet deftly presented lesson from each story:

Like many children’s books from the 60s, 70s, and 80s, Frog and Toad stories involve the two titular characters overcoming common problems which arise from vice. “Cookies” is about gluttony, “The Lost Button” is about anger, “Tomorrow” is about sloth,” and “A Swim” is about pride. In each story, the only way to beat vice is through some form of suffering. Good things do not happen in Frog and Toad stories apart from suffering, self-denial, or self-control.

As an avid library patron as well as a teacher and homeschool parent, I can attest to Gibbs’ follow-up point. Namely, that most contemporary children’s stories fall far short of Frog and Toad when it comes to teaching relevant life lessons. It’s almost as if they fear children can’t handle real life opportunities to suffer -even on a small scale- and grow as a result:

However, children’s books have become increasingly squeamish when it comes to addressing genuine human problems, let alone the idea that vice must be painfully overcome through virtue. In the 1970s, a girl named Tina in a children’s book might be afraid to learn to ride a bike, then slowly learn with the help of her mother and friends. Today, the same book does not involve Tina learning anything, but is simply 1) a celebration of the fact Tina can already ride a bike or 2) a celebration of the fact Tina could learn to ride a bike if she so chose or 3) a celebration of the fact that while Tina cannot ride a bike, she can do 50 other interesting things. Granted, not all contemporary kids books are this banal, but one should not pick up a lately published children’s book and expect to find a character like Frog, who recognizes that he and his friend are gluttons and properly concludes, “We need will power.”

Now there’s a novel thought; that children benefit from learning self-control at an early age. Instead, and this not true of all contemporary children’s books, but I have seen this dynamic more than once:

Contemporary children’s books are big on celebrations. Were Frog and Toad stories rewritten today, Frog and Toad would feel no need to stop eating cookies but finish the bowl and celebrate their new curvaceous amphibian bodies. Toad would feel no need to clean his house but celebrate the fact that some people are simply messy and others are just neat. I also sense that Toad is— to us, at least— a lost button survivor, and that regardless of how unvirtuously he handled losing his button, he deserves a medal just for having something mildly unfortunate happen to him.

Gibbs makes an excellent point here, and all of this: the refusal to teach delayed gratification, suffering, and overcoming problems through strength of character, have lead us to the situation that many of us,old-fashioned as we are, lament today:

This current tendency (in children’s books and the world beyond) to sidestep problems and suffering and instead focus on praise and celebration has not made our lives more enjoyable, more satisfying, or more peaceable. While lately published articles suggest Americans are among the most stressed out people in the world, I am not content that “most stressed out” distinguishes handling a lot of stress well from handling a little stress very poorly. As opposed to teaching our children that their problems can be overcome, we have lately begun telling them, “You are good. Your problems are part of who you are. Your problems do not need to be overcome, because you do not actually have any problems. The problem is with the world. The world has not properly understood you or celebrated you.” In this, the secular world has largely followed the late Christian tendency to rob people of their right to struggle against sin. “Not perfect, just forgiven” and “God accepts me as I am” are nothing more than half-pious ways of saying, “I was born this way.” No wonder we are such a stressed-out people. We speak as though fighting sin were treason against the self.

I think I’ll end right there and invite you to click over and read the whole thing.

I know this much: I’ll never think of Frog and Toad quite the same way again.

Anne of Green Gables: Reviews of two versions

anne of green gables

Anne of Green Gables, by Lucy Maud Montgomery. Originally published in 1908.

As I re-read this book along with the kids in my writing and literature class, I was almost instantly reminded, as I often am , of this saying from the late C. S. Lewis:

“No book is really worth reading at the age of ten which is not equally – and often far more – worth reading at the age of fifty and beyond.”

Because Anne of Green Gables is such a widely read and well-known story, I’ll offer the Goodreads synopsis for the sake of time. There are several angles concerning the story and its recent modern adaptation that I wish to explore in this post. From Goodreads:

As soon as Anne Shirley arrives at the snug white farmhouse called Green Gables, she is sure she wants to stay forever . . . but will the Cuthberts send her back to to the orphanage? Anne knows she’s not what they expected—a skinny girl with fiery red hair and a temper to match. If only she can convince them to let her stay, she’ll try very hard not to keep rushing headlong into scrapes and blurting out the first thing that comes to her mind. Anne is not like anyone else, the Cuthberts agree; she is special—a girl with an enormous imagination. This orphan girl dreams of the day when she can call herself Anne of Green Gables.

The Cuthberts do keep Anne, of course, else this delightful story full of adventure and learning wouldn’t be the beloved story it has become for over 100 years.

One of the most wonderful, and for me equally taxing aspects of Anne’s character, is her persistent insistence that everything must be expressed or executed in the most romantic and poetical way possible. There are times when I find her expressions utterly delightful. I laughed out loud this:

“People laugh at me because I use big words. But if you have big ideas, you have to use big words to express them, haven’t you?”

And conversely rolled my eyes at this, despite my sympathy with Anne’s drab dress as insisted on by Marilla:

“It is ever so much easier to be good if your clothes are fashionable.”

It was such fun to revisit the characters of Green Gables and Avonlea. As before, Matthew Cuthbert and Gilbert Blythe were my favorites (besides Anne of course). A good story, including those written for children, never goes out of style.

Book: 5 out of 5 stars

As it happens, I learned that there is a new adaptation of this beloved story recently released on Netflix. I made a point of refusing to watch or allowing my kids to watch it until we had finished reading the book in class. We are not quite finished as an entire class (this week we’ll wrap it up), but I and my daughter have finished reading it, so I decided we could safely take a peek at how these producers adapted the story.

The first season, despite artistic licenses and addition of melodrama for viewers, wasn’t horrible. Because I love the original story, I was a little perturbed at the ways they changed the story to create a more dramatic effect. I didn’t feel such changes were warranted.

I appreciated most of the castings, including the casting of Anne. The actress beautifully captures the spirit of the character as Lucy Maud Montgomery wrote her over 100 years ago. I felt a similar satisfaction with the casting of Marilla Cuthbert, Mrs. Rachel Lynde and Gilbert Blythe.

They did a less than stellar job with Josie Pye. Further, I detested the fact that made Miss Josephine Barry a spinster due to the fact that she was a lesbian who lived for many years with her “partner” Gertrude, recently deceased.

They licenses they took with some story lines were understandable in some ways, and in other ways unnecessary.

Overall, I was so turned off by the development of Miss Barry’s character that I was thankful for having done the research ahead of time -actually my daughter did it- which clued me in on what to expect in the episodes. It spared me from being blindsided by the “inclusive” propaganda.

As it turns out, not having seen those episodes left a better impression of the show on me than would have remained otherwise. As it stands, I definitely won’t finish it, and the kids and I are looking forward to enjoying the PBS adaptation sometimes later in the spring, after the hustle and bustle of the second semester is over.

Netflix adaptation: 3 out of 5 stars